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How is the cast reacting to Anna leaving the show?

Mom Cast interview with EXTRA

Allison Janney and ‘Mom’ Co-Stars Address Anna Faris’ Exit: ‘It’s a Huge Loss’ (Exclusive)

How will the show dynamic change without Christy Plunkett?

“It’s an enormous loss. The show was very much built around her and Allison. For her to step out was a big move to cope with. But we have an extraordinary ensemble led by Allison in a show about women in recovery. Let’s continue to tell the stories of a wonderful group of people we’d come to know and care about. When the (season) debuts, Christy  has gone on to greater things. Her career and path through life is going great. Recovery from addiction – not always but very often – brings with it an extraordinary life. And that’s the story we’re telling with Anna’s character, that her life has leapt up to another level, which has her leaving Napa Valley to go to Washington and finish her education.” – Chuck Lorre.

Will MOM address the Covid-19 Pandemic?

The short answer? No. 

“The question of whether or not to deal with COVID is something that we grappled with quite a bit. However, because our show has never before reflected current events in our storytelling, we ultimately decided not to address it. For us, it feels like we made the right decision and hopefully our audience will enjoy a little escape when they watch our show.” -Gemma Baker

MOM Co-Creator Previews Christy’s Exit and Why the Comedy Isn’t Incorporating COVID

“Going into this season, we thought for sure that all of the COVID restrictions would change the type of episodes we could produce. But now that we have five shows under our belt, we’re pretty confident that the viewers at home will not feel the restrictions one bit. That’s because our stories have always been small and intimate. So while how we shoot the show has completely changed, what we’re shooting has not.” – Gemma Baker.

“That was a choice that we made early on, that the shows will reflect life as we knew it, as we’ve known it, and hopefully as we’ll know it again. If we do shows that are reflective of what’s happening right now, it’s unlikely that they’ll have any value down the road. I’ve always been a big fan of shows that have shelf life, that have the ability to entertain the audience now, next year, or, God willing, years from now. I don’t know if it’s the right call, but it’s the call we made because I didn’t want to do episodes that a year from now no one wants to watch and may not want to watch now. Maybe you want to go home and watch a television show and have a little relief from social distancing and masks and the inability to hug your friends and loved ones. Maybe we can offer a respite from that.” – Chuck Lorre

Why do we need comedies like MOM more than ever right now?

“Laughter is a shared human experience. Laughter is a genuinely wonderful thing to have as part of our lives, especially when the world is upside down. It’s a gift.” – Chuck Lorre.

Season 8 of Mom Premieres Tonight at 9/8c on CBS. 

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BINGE MIMI KENNEDY’S FAVORITE MOM SEASON 7 EPISODES

FROM CBS.COM

Posted on May 19, 2020 | 04:00pm

Season 7 of Mom has certainly delivered on hilarious situations with new relationships flourishing, squabbles galore, and all the ridiculous mishaps we’ve come to love from the perfectly flawed women of the show.

One of those ladies—and oft the voice of reason among the group—is Marjorie, played by Mimi Kennedy. Mimi weighed in with her favorite, most bingeable episodes of this latest season, and even added some delightful commentary and background information on just why she thinks these are the Season 7 episodes you need to watch.

So whether you’ve been watching all along and just want to rewatch with one of your favorite stars of the show (in spirit), or you’re new to Mom and looking for reasons to jump in, here are Mimi Kennedy’s five favorite Mom Season 7 episodes, available to stream now!

“Pork Butt And A Mall Walker” (Season 7, Episode 7)

In this episode, Bonnie (Allison Janney) and Adam (William Fichtner) go on a double date with Jill (Jaime Pressly) and her boyfriend, Andy (Will Sasso). Also, Tammy (Kristen Johnston) recruits Christy (Anna Faris) to mediate a sensitive roommate situation with Marjorie.

Why Mimi Loves It

“I love that [Marjorie and Tammy’s] relationship is volatile. Of course, it would be. Marjorie generously offers safe haven for Tammy to transition after prison, but she also has a lot of unspoken ‘rules’ in her house with her beloved cats!

Tammy has an up-close view of whether Marjorie can practice what she preaches, as a sponsor, in terms of forgiveness and resilience. In this episode, once Tammy realizes how much Marjorie needs her in order to meet the mortgage after Victor’s expensive medical bills, she steps right up, drops her complaints, and re-organizes her priorities.

This happens so often in recovery. Volatile Tammy and ‘rock’ Marjorie often find themselves in traded places—this is a great way to keep testing our commitment to honesty & forgiveness!”

WATCH: Season 7, Episode 7 Of Mom, “Pork Butt and a Mall Walker”

“Higgledy-Piggledy And A Cat Show” (Season 7, Episode 10)

The holidays don’t always bring out warm and fuzzy feelings. Bonnie feels the truth of that when she is forced to relive painful Christmas memories when Christy recounts tales from her childhood to Bonnie’s sponsee, Patty (Kate Micucci). Marjorie is there for her as she faces the feelings.

Why Mimi Loves It

“I love that quiet scene in [Bonnie’s] bedroom, where Marjorie shares with Bonnie that remorse over the past can overwhelm you at any unplanned moment. (On an airplane flight, she says, ‘I made my seatmates very uncomfortable.’)

Allison and I didn’t talk a lot, shooting it. It’s as if we were inhabited by all the people who’d ever felt this grief. The dialogue written for us was perfect for this to happen: spare, to-the-point, unexpectedly funny.

The final scene where Christy finds Bonnie in the [nativity scene] manger was brilliant and made more so by the choice Allison made impulsively to crawl into Mary’s lap. The writers wrote to it, once they saw her do it: ‘Just hangin’ out with Mary. She was a good mother.’ Stunning.”

WATCH: Season 7, Episode 10 Of Mom, “Higgledy-Piggledy And A Cat Show”

“Silly Frills And A Depressed Garden Gnome” (Season 7, Episode 12)

In a huge moment for Marjorie, Christy and Bonnie support her as she attempts to reconnect with her estranged son. Also, Tammy sees another side of Jill while working as her employee.

Why Mimi Loves It

“[This milestone for Marjorie is] amazing. New life is the hope of the world, and here is Marjorie, realizing there is a baby in the world that has come to her son despite her own mistakes as a mother.

I’m a grandmother myself, and having a chance to witness and interact with the joy and hope (and difficulties—teething, fear, not being able to accomplish things you want to do) of a baby all over again is a gift that cannot be equaled.

When [Marjorie’s] son is proud of her—and calls her ‘Mom’—I know what it’s like to hear my children call me that term of endearment with pride and tenderness. It brought tears to my eyes in the scene, of course.”

WATCH: Season 7, Episode 12 Of Mom, “Silly Frills And A Depressed Garden Gnome”

“A Judgy Face And Your Grandma’s Drawers” (Season 7, Episode 18)

Marjorie’s relationship with her son levels up when he asks her to babysit her granddaughter alone. Of course, Marjorie is never truly alone, and when an emergency strikes her group of gal pals are there to tap in on babysitting duties, to hilarious results.

Why Mimi Loves It

“[My favorite part of this episode’s storyline is] that every single one of the group steps up to do their best babysitting. Jill’s sorrow over not having a child of her own is heartbreaking; Christy’s tissue-play, once she realizes it, makes the baby laugh and is hysterically funny physical schtick from Anna, whose gifts as a physical comedienne are a superpower she shares with Allison.

We learn that Wendy (Beth Hall), the nurse, can’t handle babies! (What’s that about?) And Allison’s endlessly inventive stuff in the locked-car scene—brilliant. We wove together a brilliant tapestry of physical comedy and heart on this one!”

WATCH: Season 7, Episode 18 Of Mom, “A Judgy Face And Your Grandma’s Drawers”

“Texas Pete And A Parking Lot Carnival” (Season 7, Episode 19)

Bonnie worries about her therapist, Trevor (Rainn Wilson), when his life hits a serious rough patch. Also, Christy comes to Marjorie’s aid when she has trouble adjusting to a new job.

Why Mimi Loves It

“I sure do [relate to Marjorie’s new job struggles in this episode]. I went into the workforce as a typist. I trained at Katherine Gibbs Secretarial summer school—a relic of the midcentury, though I attended in the ’70s, when we still trained on typewriters, (since there were few workspaces on computers).

I had to have typing jobs while I studied acting and auditioned for non-paying plays. I was hired by one boss because he was impressed I went to Smith College and thought I would prove brilliant. Instead, I was terrible about phone messages and a million other things I hadn’t studied at typing school. I overheard him complain to someone that I was ‘the dumbest (expletive) human being on the face of the Earth.’

Or, [there was also when I served] as an ice-cream place waitress and I upended a chocolate sundae in a diner’s lap. Yup, I know workplace struggle!”

WATCH: Season 7, Episode 19 Of Mom, “Texas Pete And A Parking Lot Carnival”

Take Mimi’s advice and stream these five episodes of Mom Season 7—and every other Season 7 episode—on CBS All Access!

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Mimi Kennedy on the Many Marvels of “Mom”

FROM MAY, 2019

 

For the past six seasons, Mimi Kennedy has delighted audiences with her portrayal of Marjorie Armstrong-Perugian, a recently widowed, alcoholic cancer survivor with many pet cats on CBS‘ Mom.  Initially a guest character, Kennedy was promoted to series regular in the show’s second season, and more recently was again promoted when the series changed its opening credits to include her.  After 40 years in the business, and an impressive list of guest-starring credits, it’s a promotion Kennedy welcomed, although something she never actually sought out.  “I tended to go from show to show and I often look back at my credits and wonder what was going on there?,” Kennedy pondered during a recent chat with MediaVillage in her Los Angeles home.  “I didn’t know about series [television] and becoming a series regular.  I tended to do whatever came along and got to work with the likes of Peter Cook on The Two of Us and Stockard Channing on Just Friends.

“I remember asking for $500 more [on Just Friends] for the second season, which broke my contract,” she continued.  “Then they fired everyone from the show and retooled it. Someone once said I could have been such a beloved character and why did you do that?  I thought it was okay to ask for $500 more.  I guess my agent should have said something.”

Kennedy chalked the incident up to experience and moved on.  However, that simple request followed her for years.  “I’ll never forget one casting director who said to me, ‘The word on you is you are very expensive, and you don’t like to work,’” she recalled.  “I thought, ‘What?’  But, again, that was my cluelessness and agents want to make money.  So, if anyone wanted Mimi for a role it was going to cost them X amount of dollars, but [the agent] would have other young women on their roster who would love to do it.

“I dabbled in writing as it always interested me,” she continued.  “I [wrote] on Knots Landing.  But becoming a mother opened a whole new world for me.  I was as passionate about that as I was about acting, but really found it hard to combine the two.  Was I someone’s mother who needed me to be there?  Or was I a character actor throwing myself into a role?  That was hard, as acting wasn’t just a job.  It was something I really plunged into.”

While raising her family, Kennedy continued to work steadily both in film and television, eventually landing the plum role of Ruth Sloan in ABC’s acclaimed period drama Homefront(1991).  However, an encounter with creator/producer extraordinaire Chuck Lorre would change her life after being cast as Abby O’Neil, the free-spirited mother of Dharma (Jenna Elfman) on the ABC sitcom Dharma & Greg (1997-2002).  If it weren’t for that role, Kennedy would never have met Marjorie.

“What I heard was, they were reading for the role of Marjorie on Mom and someone in the room said, ‘Mimi Kennedy would give us as good or a better reading of this.  Do you want to see what she’s doing?’” she shared.  “So they offered it to me.  When an actress like me at this point gets an invitation without an audition, you just say yes, especially if you like the people — which I do.  I went in and immediately loved the environment.  Anna Faris (pictured above right, opposite Kennedy), Allison Janney, along with the whole 12-step thing.  They kept asking me back.”

According to Kennedy, “I was never too busy for Chuck,” and Marjorie had left an indelible impression.  “Towards the end of the first season Chuck said, ‘This is amazing, Marjorie is a strong character.’  I was still finding my way, and I’d only ever been to a 12-step meeting with a friend, which I’ve since remedied, and found it to be an amazing program.  Mom changed my life and now we’re going into our seventh season.”

Kennedy told me it was around the show’s third season that things really cemented, with the series evolving from centering on the multi-generational Plunkett family to one focused more on its leads’ outside friendships.  “When I got word that they were changing the opening credits (to include her), that was fantastic for me and I was so happy,” she beamed.  “I’d been trying to do the best job possible and enjoyed working with my fellow actors.  I [often] get to deliver the ‘Chuck Lorre Zingers,’ which have become calling cards of all his shows, and I think that’s because you know what Marjorie’s thinking.

“Marjorie is the wise owl presiding over everyone with a voice of reason,” Kennedy added.  “I love that in some way everyone on the show is a mom to one another.  It’s a dynamic they move around and it’s like life.  You might have a friend that one day says something that hurts you, or you misunderstand something they’ve done, then you talk to your other friends about what they did.”  (Pictured above, left to right:  Mom stars Beth Hall, Allison Janney, Anna Faris, Mimi Kennedy and Jaime Pressly.)

With CBS renewing Mom for two more seasons, Kennedy is looking forward to much more Marjorie.  She’s not spoiling anything about this week’s season-six finale other than teasing; “There is a wedding, one that’s been planned for some time and the whole thing ends up upsetting all of us — but some beautiful moments come out of it.

“I do enjoy all of the girls and working with Chuck is like being in a repertory company,” she added.  “He calls it family.  It’s a nice family to call family.”

Mom is telecast Thursdays at 9 p.m. on CBS.

 

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Mimi Kennedy talks with Long Island Weekly’s Anthony Murray about MOM and her career so far. 

Read the full article here.

(February 20, 2020)

Comedic actress takes on role of the nurturer on long-running CBS sitcom

Actress Mimi Kennedy has had quite the career these past four decades. She toured the country in National Lampoon’s Comedy Tour, starred in the variety show 3 Girls 3, portrayed Abby O’Neil on the ABC sitcom Dharma & Greg, has written a memoir—and that is only just scratching the surface. For the past seven years, Kennedy has portrayed Marjorie Armstrong-Perugian, the strong voice of reason and AA sponsor to the dysfunctional mother/daughter duo Bonnie and Christy Plunkett, who are portrayed by Allison Janney and Anna Faris, respectively, on CBS’ critically acclaimed hit show Mom, which deals with the everyday issues of substance abuse and the steps to recovery.

Growing up in Rochester, like most kids all Kennedy really wanted was some attention, which often resulted in her acting out, pretending, singing to or mimicking people who were around her. It’s safe to say that Kennedy received the attention she yearned for and ended right in the center of the Hollywood spotlight.

“I did the National Lampoon Comedy Tour with my friends Jim Steinman, Meatloaf and my husband Larry Dilg,” Kennedy said. “We toured the college circuit and many of them were in New York. I think we were out on Long Island and Oswego. There were a lot of places, and I’m from Rochester so it was like home.”

The National Lampoon Comedy Tour that Kennedy was part of originally starred comedians Jim Belushi, Gilda Radner and Bill Murray, who had all gone on to do Saturday Night Live, a show that Kennedy was actually supposed to be on.

“I remember watching the debut of Saturday Night Live in Oswego in a deserted student union and I had been picked to do that opening show with a parody of Helen Reddy’s ‘I Am Woman,’” Kennedy recalled. “The parody laws were different and at the last minute they didn’t let me have the music so that part was recast. I remember thinking with my heart sinking that the fame train just left and I was supposed to be on it. But it was still fun riding around in a van [during the comedy tour] and that led to 3 Girls 3 with Ellen Foley, who was in on the Lampoon Tour with me, and Debbie Allen. I loved doing that. It was just overnight stardom and we were Hollywood girls with Bob Mackie gowns and Emmy Award-winning orchestrations. It was great.”

Fast forward to many years later, Mom, which is one of the many brain children of television writer and producer Chuck Lorre, had a role for a veteran AA sponsor that needed casting. After being unimpressed with the prior readings they’d had, someone recommended Kennedy for the role. She got a phone call soon after.

“They did some readings and I heard that one of the people in the room said that Mimi Kennedy would give us a better reading than anything we’ve heard,” Kennedy said. “So they called me up and said to show up at the table read and I did. I’ve worked with Chuck on Dharma & Greg, and Eddie Gorodetsky and Chuck Lorre had both been writers on Dharma & Greg and they knew me and they said, ‘This is going to work.’ So I did that as a guest star. I did a few other [episodes] as a guest star and they asked if I’d like to be a regular and we made a deal. I was very happy because I loved Anna Faris and Allison Janney and I just thought that this was great. I also loved what it was saying. I’m all for the 12-step program.”

This season on Mom, Christy returns to school to pursue her dream of becoming a lawyer while Bonnie attempts to have a healthy romantic relationship with her new husband, Adam, who is portrayed by William Fichtner. So what is in store for Marjorie this season?

“Marjorie has a little bit of a love interest this season; a little flirtation,” Kennedy said. “She’s been a widow for a year and she removes her wedding ring from Victor. Peter Onorati, who is a friend of mine—we were in a show called Joe’s Life together for a year, he played my brother-in-law—he comes on [this season]. Last season, you saw me in Canada at a 12-step convention and somebody off camera throws a snowball at me and I say, ‘Oh, Wayne! You devil!’ Well, Peter Onorati shows up as Wayne.”

With a hilarious cast that includes Janney, Faris, Kristen Johnston, Jaime Pressly and Beth Hall, Kennedy said it’s some of the best times that she’s ever had acting.

“My old acting teachers used to tell me, ‘Do all the work and then leave it all behind,’” Kennedy explained. “When you’re actually pretending to be someone else, you don’t want the work to show; you just want it to flow. Allison and Anna do that to a T. There’s no mistake on why Allison has an Academy award. She’s incredibly gifted and so is Anna. Anna is so funny and so bright, but it’s easy work because as long as we know our lines, pretty much the situations flow from character and now we know our characters, so I just enjoy it. I can compare it to being a little girl where you have school and then you go home and play dolls. That’s the fun part of the day and I feel like I’m playing dolls.”

And with a hilarious cast come hilarious moments including one moment that involved Janney’s character that Kennedy will never forget.

“My favorite of all time was when Allison’s character Bonnie came over for some advice from Marjorie and I was watching man-on-man porn,” Kennedy laughed. “She said something like ‘too many balls’ and I said, ‘That’s actually the name of this one.’ They had just changed that line and it was a surprise to Allison. She didn’t know that’s what I was going to say and we just got laughing so hard. It was hysterical. And I look back and I think ‘Wow. We’ve become a little bit more of a family-friendly show.’”

So how does Kennedy hope to see Marjorie grow as Mom continues on?

“I just like the fact that Marjorie obviously learns how to take care of herself after a long use of abuse and now she takes care of herself and she’s aging pretty well,” Kennedy said. “There’s a lot ahead of her. She has the energy to nurture other people’s recovery to love. I really like that. Plus, it’s just so damn funny. People don’t realize that in 22 minutes it’s almost like you’re doing haiku. You know how you can remember a haiku poem better than you can remember Milton’s Paradise Lost? Well that’s how this is. As long as Marjorie keeps her sense of humor intact, I just look forward to whatever they have me doing. It’s all wonderful and again because it’s about recovery, there is always hope.”

When Kennedy isn’t filming the show, she is involved with charitable organizations such as Homeboy Industries in downtown Los Angeles.

“It was started by Father Greg Boyle, who has become a friend, and his motto is ‘Nothing stops a bullet like a job’ and I have seen Homeboy Industries grow into an amazing operation,” Kennedy explained. “They have a bakery. They have a beautiful community center with art therapy and they do great work. It’s like recovery for an entire population and community. This is making strong political and artistic leaders in the community of downtown LA. I support almost anybody who asks if I can do that. Of course, cancer recovery and hope centers, but I must say that Homeboy Industries has a place in my heart and the rest of it a lot of times is political. If I see somebody that is on Martin Luther King’s nonviolence spectrum in their approach to global or national politics, I’m all in.”

In the end, Kennedy said that she hopes Mom is remembered for years to come for its hilarity and its strong female cast.

“There is a way to a recovery no matter what your addiction is, whether it’s food, shopping, booze or drugs,” Kennedy said. “We show that there’s really a good way to do it in community and it always gives you hope that your life could change as long as you work hard on yourself and you take it one day at a time. That’s what I want them to remember.”

Catch Mom on Thursdays at 9 p.m. ET on CBS.